Past exhibitions

Still life has a curious force that makes us see everyday things anew, to observe the overlooked.

In summer 2020 the Finnish Museum of Photography will exhibit the works of photographer Sanna Kannisto (b. 1974), spanning a period of 20 years. This will be Kannisto’s largest exhibition to date. Sense of Wonder is a cross-section of the artist’s career, including her long-term photographic work…

In January 1968, a US Air Force bomber carrying nuclear weapons crashed onto ice along the coast of Greenland. In South Korea, a group of scientists is attempting to clone a mammoth using DNA preserved in permafrost. In the Illgraben valley in Switzerland, scientists use an electronic alarm system…

Humanity has now left behind the Holocene, a geological era in which the globe has been since the last ice age, and entered a new epoch: the Anthropocene. In the Anthropocene, the human influence on the Earth is so great that the change is irreversible; in a sense, it is a point of no return.  …

Class 9D of the Vuoniitty Comprehensive School has been the friendship class of the Finnish Museum of Photography from 2017 to 2020. The exhibition #teenmirror displays new photographs inspired by Vivian Maier's self-portraits and older photographs from previous exhibitions by Vuoniitty friendship class. Selected parts of the exhibition are on display at the Columbus shopping mall in Vuosaari 14.5 - 1.6.2020.

The passport can fulfill its function of opening doors only if the human body is linked to it in a reliable way. As identification methods have evolved and control increased, the body's relationship to the passport has been in a constant state of flux. In the 19th century, the holder's name was…

Vivian Maier (1926–2009) was an American photographer whose extensive body of work has stormed into the public eye since her death with numerous exhibitions and a documentary film. Maier remained a keen photographer throughout her adult life but never sought to showcase her work. Instead, she…

The Unfold exhibition introduces a group of photographic artists from the master's degree program in photography at Aalto University. The exhibition showcases the multi-device nature and conceptualism of modern photography. The exhibition, which was created as a result of close collaboration…

“We are the last generation that can stop climate change.” The Last Generation exhibition by Photofuss group contemplates current environmental issues.

Photographer Rasoul Khorram (b. 1980) recorded the life of his elderly mother Halima Khanomilla in a series of photographs over a period of three years in Oshnavieh, Kurdistan, Iran, on the border of Iraq, Iran and Turkey. The photographs show his mother going about her daily chores, tending to…

The classic series of photographs Finnish Everyday Life (1971) by Caj Bremer (b. 1929), who reinvented photojournalism in Finland, was brought to life after Bremer gave up his daily newspaper work to tour the country, supported by a grant from the Finnish Cultural Foundation. Bremer wanted to…

Some Observations on the Political System of Finland (2015–2019) is a documentary trilogy by photographer Sakari Piippo.

The Finnish Museum of Photography collection also includes photographs by artists that publish mainly on Instagram.

In One Picture Manifesto, photographers Marja Pirilä (b. 1957), Harri Pälviranta (b. 1971), Maija Annikki Savolainen (b. 1980) and Maija Tammi (b. 1985) challenge their own ways of creating art as well as photographic practices in general. In the exhibition, each artist presents one independent…

The exhibition hovers between reality and fiction and uses the techniques of contemporary photographic art to examine the way in which we cling to one another and the world, dream, create utopias, and imagine the future.

P. O. Jansson (1920–2019) was a professional photographer and photography enthusiast who took photos throughout his life. He particularly enjoyed taking photos of nature in the archipelago and of those closest to him, such as his family and his sister Tove Jansson.

The exhibition asks who is unseen, particularly in the West, and considers how difference is confronted through forms of visual representation.

This is Violet Sea. Here, works by artist Hertta Kiiski (b. 1973) from the last ten years are brought together with new works and a new exhibition space. Their energies are ready to meet your energy. Girls, animals of other species, rocks and time take the center stage.   Hertta Kiiski…

Fluvial is a meditation on the beaches and villages of inland Portugal.

In this exhibition, Photofuss, the youth group of Finnish Museum of Photography, presents thoughts on things that are undergoing change.

The 2019 Festival of Political Photography explores the capacity for collective imagination and the potential for action. The festival highlights photography projects that deal with smaller and larger changes, as well as alternative mindsets and lifestyles.

In the late 1960s and early 1970s, the building stock of Helsinki was modernised, as old buildings were frantically torn down to give way to new ones. For a period of two years, the photographer Matti Koivumäki (born 1950) spent time exploring his childhood home district and documented the Puu-Vallila area of wooden buildings, which was threatened with being condemned due to changes in town planning. The photographs in the exhibition are original gelatin silver prints from the years 1974–1976. The exhibition is on view at museum's collection corner Kuvakulma.

The work of the artist duo Iiris Kaarlehto and Inka Kynkäänniemi focuses on structures and manifestations of power that are created and reinforced through a variety of stories and everyday practices, and their deconstruction. These themes take on a visual form in their newly completed video artwork…

Slow Art Moment Exhibition encourages to look art slowly. So give a moment to the art work, breathe deeply, sit down and relax.

Marja Helander, Harri Pälviranta and Kari Soinio are three long-time photographic artists. The exhibition Inherited Ideals delves into the values and norms upheld and promoted by the media, modern society and our own spiritual heritage. Each artist examines the ideals that guide us from their own point of view, in addition to confronting the challenges related to dismantling the tacit rules: can we do anything to the forces that define us? And what are the things that we are completely blind to in our own environment?

The Photobooks from Finland association has conceived an exhibition and a photobook, both based on doing things collectively. Eight artists were selected for the project in the spring of 2018. The thematic starting point was the Finnish landscape.

How did the civil war look like for a young female photographer in Helsinki in 1918? Tyyne Böök had a popular photographic studio in a worker’s district to the north of the Pitkäsilta bridge. Elsa Sillman was a medical student and an amateur photographer. When the war erupted, both women grabbed their cameras.

Swedish photographer JH Engström (b. 1969) is known for his personal photographic series, in which he has expressively documented himself and those around him. The exhibition at the Finnish Museum of Photography is, to date, the broadest sample of JH Engström’s artistic production, with photographs from 1991 to 2017.

Äimärautio is a community that revolves around a deep passion and commitment to horses. In her series of photographs, shot in Oulu, Finland, Kati Leinonen examines the relationship between horses and humans.

Each winter, the sky in Rome is the stage for mesmerizing
 murmurations of millions of starling birds. Swirling and ever shape-shifting liquid-like clouds are formed by a myriad of tiny black dots, moving like one single being. AUSPICIA is a work about the impossibility of control and man's futile and unremitting attempts at exerting it. The exhibition is on view at museum's Project Space.

Erica Nyholm’s works deal with family relationships, often between mothers, daughters and siblings. They explore the family dynamic from a woman’s perspective. In her works, families appear as units that run according to their own rules, in which we grow into individuals, mirroring ourselves off the other family members.

The works by the French artist Noémie Goudal (born 1984) play tricks on perception and make the viewer doubt their own senses. Where are the boundaries between the imagined, the natural and the human-made?